By Franz Simandl
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Extra resources for 30 Etudes for the String Bass
A medical examination in April 1883 revealed the need to amputate Manet’s left leg due to gangrene. The amputation took place on 20 April and ten days later, on 30 April, the day before the opening of the new Salon, Manet passed away. Manet was convinced that in one hundred years people would be more intelligent and that they would know how to see and appreciate real art, in other words, his own painting and that of the Impressionists. He never forgot his friends and tried his best to support them: “Perhaps you do not yet like this painting”, he wrote in 1877 to the critic A.
Zola was the first to openly declare his admiration of Manet’s talent, honesty, and desire to create by listening to his own heart. Zola spoke of Manet as a painter who stayed close to nature, placing his confidence solely in the observation of nature, rather than science or experience. Zola considered Manet’s individual exhibition a 26. Édouard Manet, Music in the Tuileries Gardens, 1862. 1 cm. The National Gallery, London. qxp 27. Édouard Manet, Luncheon on the Grass, 1863. 5 cm. Musée d’Orsay, Paris.
For Manet, it was completely natural to join the national guard as an artilleryman. On 19 September, the siege of Paris began. Manet closed his studio and stored his paintings in a secure location at Duret’s. In late January, Paris surrendered. On 12 February, Manet left to join his family in the south of France and he did not learn that the revolution had broken out in Paris and that the Commune had been declared until he got to Arcachon. In April, a manifesto announcing the creation of a federation of artists to which he had been elected during his absence, along with twenty-five other painters and ten sculptors, appeared in the Commune’s official publication, Le Journal Officiel de la Commune.
30 Etudes for the String Bass by Franz Simandl
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