Afterimage Vol. 38 No. 2 - download pdf or read online

By Francis Frascina, Rachel Stevens, Claudia Pederson, Stephen Longmire, Christine Ross, Alisia G. Chase,

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I'he use of' language conies in andt Oti. Pure image becomes captioned image, like in his "Gova Series" i 1997) and "''etrad Series" (1999). it the later works, however, text rarely stands alone. of' imagery in ifavor of words that describe its making or meaning. Tlhese, among oilicr works, display Baldessari's wit and tuitning alonigsidi a) pointed colunneletarN tit te th process of creating anl artwork. While it prce. iously could have beeni a rare treat to see him sing Sol L1ewitt's 35-point tract oni conceptual art to tunes like the Star Spanrgted Bannei and lleaven 1972) or state -I Am Making Art- The gradual shift fIroi analog to digital has reduced tlie presence of' the artist's hand.

34 The exhibition provides a generous sampling of works from each period of Klein's career, from his early differently colored monochromes to sketches and plans for his "Architecture of Air" project with German architect Werner Ruhnau. But not surprisingly, most of what one sees in the exhibition is bathed in Klein's signature (and patented) International Klein Blue pigment (JKB). Klein's special formula fastens Above Obsession with Levitation (Leap into the Void) (1960) by Yves Klein: private collection: (0 2010 Artists Rights Society (ARS), New York/ ADAGP.

Featuring one hundred works by sixty artists, "Haunted" presents a multi-faceted view into how contemporary artists use photographic images and processes. 30 Tlte curators Jeninifer Blessing and Nat Trotman classified the exhibition into four sections that address formal and conceptual connections among the works. The first section, "Appropriation series "Modern History" (1977 79) questions how photographs shape history, using stark images that remind us of our fleeting collective memory. The next section of the exhibition, "Landscape, Architecture and the Passage of Time," explores the relationship between site, history, and trauma.

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Afterimage Vol. 38 No. 2 by Francis Frascina, Rachel Stevens, Claudia Pederson, Stephen Longmire, Christine Ross, Alisia G. Chase,


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Categories: Nonfiction 3